第7話: 夏休みに歌舞伎の伝統と秋也の献身を振り返る紗良

Sarasa keeps on thinking about Andou-sensei's critique as she and Ai heads home for summer break. The reason for Andou-sensei's thoughts is because "he saw someone else's Tybalt instead of her own Tybalt." This owes to her roots as someone who started in kabuki, where it mostly relies on replication to keep it alive. Akiya Shirakawa, Sarasa's boyfriend, said, though, that kabuki is not all outright replication, as kabuki actors are always trying new things while maintaining old traditions, with entertaining audiences as the result. And to fulfill those expectations, actors should have dedication to it. As Akiya gave her and Ai tickets to a performance of Sukeroku, he says that he wants to show her his dedication to the craft. That night, Sarasa described to Ai her experience as a kabuki actor. Sarasa shed tears as they watched Akiya perform at the kabuki play, recalling her imitation of Sukeroku in front of her late grandmother. As Sarasa and Ai returns to their dormitory, Akiya told her to never lose sight of her goal, as "there's only one path to follow." This episode also reveals Sarasa's past--her being Kozaburou's illegitimate daughter, as he is married to the daughter of Kaou Shirakawa, a 15th-generation kabuki actor considered to be a national treasure, and whom Sarasa calls "Daidai-sensei." Akiya is also born into the kabuki family and is poised to become Kaou's heir to his name. Sarasa herself exhibited talent for kabuki, even, unexpectedly, starring in one performance of Sukeroku. She was perceived as a threat to Akiya's path to becoming Kaou's heir, that her kabuki instructor said outright that she would never do the kabuki play. Even with a regretful Kouzaburou, her angered grandfather prevented her from going back to their place to cut her off from kabuki as a result. The Shirakawas were also banned from attending the funeral of her grandmother. (Source: Wikipedia)

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